Choosing a Dial Colour That Still Looks Right in Ten Years
Turquoise, coral, malachite, opal. Which finishes hold their character over time, which ones fight the case metal, and how to pick one you will not tire of.
How the work actually gets done — materials, methods, and the occasional piece of advice that costs us a job.
Turquoise, coral, malachite, opal. Which finishes hold their character over time, which ones fight the case metal, and how to pick one you will not tire of.
Cutting, backing and inlaying natural stone at watch tolerances. Why opal and turquoise behave so differently on the bench, and what each one demands.
Not all lume is the same. Glow colour, charge retention, and which grade suits a vintage dial versus a modern sports piece.
Every line of text on a dial was pressed there by a silicone pad off an etched plate. A primer on the process, its tolerances, and how a lost logo gets recreated.
A dial is under a millimetre thick and has to stay flat. How settings are cut, why stone height is the constraint that governs everything, and where jobs go wrong.
Refinishing is what we do, and there are still dials we send back untouched. Here is where that line sits, and why telling you costs us a job but keeps you whole.